MOZART, Wolfgang Amadeus
Le nozze di Figaro (The Marriage of Figaro) K 492
“Signore, cos’è quel stupore?”
Andrés Orozco-Estrada, guest conductor
Gabriel Alonso Díaz
Vanessa Paola Cera Bula
Anaís Gerarda Fernández Cerneira
Jorge Eleazar Álvarez Mora
María de los Ángeles Gómez Rojas
Jorge Luis Puerta Aray
Ihor Voievodin
Freixenet Symphony Orchestra of the Reina Sofía School of Music
In this rehearsal, Maestro Orozco-Estrada works with singers and the orchestra on Scene XI. They need to play more piano when Marcellina enters so that what she is saying can be heard well, which is the most amusing part of the passage. They must play together with rhythmic precision, and the singer must give it a character almost as if it were Rossini, but keeping it more controlled without speeding up. He also corrects a syllable that is not correct in tempo, and it is as if she sings a strange letter before the syllables “trato”. Afterwards, they review that same part sung by Bartolo and then Basilio.
They resume from the beginning of the Scene. Finally, they review the end Prestissimo, first without the singers and then with them.
Language: Spanish
