MOZART, Wolfgang Amadeus
Symphony No. 29 in A major K 201
IV. Allegro con spirito
Andrés Orozco-Estrada, professor
Rira Kim, student
Freixenet Chamber Orchestra of the Reina Sofía School of Music
The first thing they check for this movement is the tempo, and especially that winds and strings play together. They also check the articulation so that it does not sound so heavy, and the conductor needs to push them more in this regard.
It is also important that the orchestra knows how the phrasing should be at the end of the first phrase. For certain points, he checks the articulation of violins II and winds to make it lighter and shorter, as the violins I do. Maestro Orozco-Estrada makes some points regarding articulation and sound balance. They practice a passage by string groups to seek understanding between the voices and that everyone flows with the same character.
Language: English
