Baroque Group and R. Martínez Millán: Handel, Bach and Couperin

Course
2020-21

Chamber music is a fundamental genre in the history of music and for the learning process of every musician. It is both ensemble music and music for soloists, because the listener can distinguish the sound of each performer. Lacking a conductor, it requires a type of shared leadership in which the artists have to coordinate with each other to obtain the best result.

In the Da Camera concert series, students of the Reina Sofía School of Music trained in the program of the International Institute of Chamber Music of Madrid present the fruit of their labor in three formats and live: string quartets, wind groups, and groups with piano.

Da Camera Cycle, wind groups. Sony Auditorium (Madrid) 01/21/2021

 

HÄNDEL, George Frideric

Sonata for two violins and basso continuo in G minor HWV 387 op 2 no. 2 (version for two oboes and basso continuo)

I. Andante

II. Allegro

III. Largo

IV. Allegro

 

Baroque Group (20-21)

Elena Benedicto Villar, oboe

Lucas Martínez Riaza, oboe

Luis Arias Fernández, harpsichord

 

Ramsés Martínez Millán, double bass

 

BACH, Johann Sebastian

Sonata for two violins and harpsichord in D minor BWV 1036 (version for two flutes and basso continuo)

I. Adagio

II. Allegro

III. Largo

IV. Vivace

 

Baroque Group (20-21)

Ekaterina Kornishina, flute

Vinicius Lira Coutinho, flute

Miguel Carrillo Manzano, bassoon

Luis Arias Fernández, harpsichord

 

COUPERIN, François

L’Espagnole (The Spanish Woman), sonata and suite in trio no. 2 for 2 violins and basso continuo from “Les nations” (version for 2 flutes, 2 oboes, bassoon, double bass and harpsichord)

I. Sonade (Gravement, et mésuré – Très lentement – Vivement – Affectuëusement – Légérement – Gayëment – Air Tendre – Vivement, et marqué)

II. Allemande (Gracieusement)

III. Courante (Noblement)

IV. Courante II (Un peu plus vivement)

V. Sarabande (Gravement)

VI. Gigue lourée (Modérément)

VII. Gavotte (Tendrement, sans lenteur)

VIII. Rondeau (Affectuëusement)

IX. Bourée. Double de la Bourée précédente (Gayement)

X. Passacaille (Noblement et marqué)

 

Baroque Group (20-21)

Ana Ferraz, flute

Ekaterina Kornishina, flute

Javier Ayala Romero, oboe

Lucas Martínez Riaza, oboe

Miguel Carrillo Manzano, bassoon

Jimena Rodríguez San Miguel, double bass

Luis Arias Fernández, harpsichord

 

Programme

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

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