SCHUMANN, Robert
Fantasiestücke (Fantasy Pieces) for clarinet and piano op. 73
III. Rasch und mit Feuer
Calogero Palermo, guest professor
Pablo López Ortega, student
Samuel Tirado Villaescusa, collaborative pianist
When the student finishes the performance of the third piece, the professor congratulates them and comments on the sound balance with the piano (noting that they should play softer to balance with the piano’s left hand). Palermo also offers a phrasing suggestion. Returning to the beginning, they review the initial attack, dynamics, articulation, and the most appropriate phrasing for each passage, as well as intonation, musical direction and pauses, sound quality, accents, etc. In conclusion, it is necessary to correct the intonation once the instrument has been played for a while and the clarinet is no longer cold.
Language: English
