Christoph Poppen: Saint-Saëns – Introduction and Rondo Capriccioso Op 28

Course
2017-18

SAINT-SAËNS, Camille

Introduction and Capricious Rondo for Violin Solo and Orchestra in A minor, Op. 28 (reduction for violin and piano)

 

Christoph Poppen, visiting professor

Inés Issel Burzyñska, student

Vadim Gladkov, accompanying pianist

 

Professor Poppen begins the class with brief initial advice on tuning in front of an audience. After the student’s performance, he gives her advice on the position of the left shoulder and posture when playing: they work on the tension and relaxation of the left hand. In addition, Christoph Poppen makes some comments on the “capricious” character and expression of the piece, as well as on the vibrato, dynamics and sound, bow direction in relation to syncopation and accents, bow strokes and pressure on the strings, pauses, articulations, fingers, etc.

Language: English

Programme

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

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