Eric Reed: Tchaikovsky – Symphony No. 5, Op. 64 (horn excerpts) – II. Andante cantabile

Course
2024-25

TCHAIKOVSKY, Pyotr Ilyich

Symphony No. 5 in E minor, Op. 64 (horn excerpt)

II. Andante cantabile, con alcuna licenza

Eric Reed, guest professor

Paula Cerdán Brau, student

Before beginning to play this passage, the professor asks the student how she wants the listener to feel with this solo, and what she wants to convey. It is important to consider this, especially in orchestral excerpt auditions.

As the class is coming to an end, he offers only a few brief remarks regarding tempo changes, breathing, and taking care with the release of the notes’ sound, emphasizing the importance of expressiveness and emotional communication.

Language: English

Programme

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

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