BEETHOVEN, Ludwig van
Sonata for horn and piano in F major op. 17
III. Rondo. Allegro moderato
José Vicente Castelló, guest professor
Jessica Rueda Vasquez, student
Jesús Gómez Madrigal, accompanying pianist
All elements need to be integrated more into the phrase, not played separately and from the outside. Professor Castelló also gives guidelines on the use of breathing in certain phrasings, and indicates that in the new section it has to be noticeable that something has closed. They discuss sound planes and balance with the piano. The professor also suggests that even if the dynamics are piano, there are times when it does not have to be timid. Regarding the final cadence, he recommends staying on the real note (F).
In general, they work on all the basic aspects: articulation, phrasing, dynamics, character…
Language: Spanish
