Klaus Thunemann: Beethoven – Symphony no. 8 op 93 (bassoon part) – I. Allegro vivace e con brio

Course
2010-11

BEETHOVEN, Ludwig van

Symphony No. 8 in F major, op. 93 (bassoon part)

I. Allegro vivace e con brio

 

Klaus Thunemann, professor

Lucía Molina Pardo, student

 

Professor Thunemann begins by correcting the rhythm of the bassoon in this orchestral passage. Rhythmic precision is important, as is giving each note its correct duration. In addition, the articulation should be different, and he compares it to another orchestral passage from Beethoven’s 4th Symphony. At a certain point, the student must play rallentando, and afterwards he corrects articulation and rhythmic issues again, as well as dynamics, among other things.
To conclude, he advises her to practice the octave part and to always study the important parts of orchestral passages like this one from memory.

Language: English

Programme

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

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