Klaus Thunemann: Prokofiev – Peter and the Wolf op 67 (bassoon part): Grandfather

Course
2010-11

PROKOFIEV, Sergey

Petya i volk (Peter and the Wolf), a symphonic fairy tale for children, narrator and orchestra Op. 67 (bassoon part)

Grandfather

Klaus Thunemann, professor

Lucía Molina Pardo, student

According to Thunemann, the style of this orchestral passage should be elegant and more serious, as it represents an elderly man, the grandfather. It should not be so “jazzy”; the rhythm must be precise and energetic, with a pesante character.

To successfully pass an audition, Professor Thunemann advises the student to perform with great seriousness in expression and precision in the study of rhythm and intonation.
To conclude, as an example of the most appropriate rhythm required for a passage, Klaus Thunemann plays a fragment of Ravel’s Boléro.

Language: English

Programme

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

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