Pablo Heras-Casado: Schumann – Symphony no. 2 op 61 – II. Scherzo. Allegro vivace

Course
2016-17

SCHUMANN, Robert

Symphony No. 2 in C major, Op. 61

II. Scherzo. Allegro vivace

 

Pablo Heras-Casado, guest conductor

Freixenet Symphony Orchestra of the Reina Sofía School of Music

 

Pablo Heras-Casado corrects aspects of articulation, dynamics, and phrasing in the second movement of Schumann’s Symphony No. 2. The character of the movement must always be very lively, and the articulation must help to find that dynamism.The tempo must be maintained without slowing down at any time, because vivacity is lost. The articulation is marked by the first violins, and the other instruments listen to them and follow as if it were chamber music. They work on the spiccato of the strings, which is the articulation that maintains the spirit of the movement. They insist on the coda, which they rehearse in depth, and return to the beginning of the movement, maintaining the same energy and tempo.

Language: Spanish

Programme

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

  • Sonata for cello and piano in F major, Op. 5 No. 1
  • I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
    • Jens Peter Maintz, Cello
    • Eldar Nebolsin, Piano

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