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Wies De Boevé: Hauta-Aho – Cadenza

Course

2017-18

HAUTA-AHO, Teppo

Cadenza for solo double bass

Wies De Boevé, visiting professor

Erick Martínez Olivo, student

The class begins with the professor’s indication of the need to play the beginning of the piece more sostenuto. Afterwards, they work on phrasing, issues related to agogics, precision in the interpretation of the score, tuning, dynamics, and maintaining tension.

Language: English

Programme

BEETHOVEN, Ludwig van

Sonata for cello and piano in F major, Op. 5 No. 1
I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
- Jens Peter Maintz, Cello
- Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

Sonata for cello and piano in F major, Op. 5 No. 1
I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
- Jens Peter Maintz, Cello
- Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

Sonata for cello and piano in F major, Op. 5 No. 1
I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
- Jens Peter Maintz, Cello
- Eldar Nebolsin, Piano

—–PAUSE—–

BEETHOVEN, Ludwig van

Sonata for cello and piano in F major, Op. 5 No. 1
I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
- Jens Peter Maintz, Cello
- Eldar Nebolsin, Piano

BEETHOVEN, Ludwig van

Sonata for cello and piano in F major, Op. 5 No. 1
I. Adagio sostenuto – Allegro II. Rondeau. Allegro vivace
- Jens Peter Maintz, Cello
- Eldar Nebolsin, Piano

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