Born in Madrid in 1977, she graduated in Art History from the Complutense University and obtained a Degree in Piano from the Arturo Soria Conservatory. At the same university, she graduated in History and Sciences of Music, with an Extraordinary Degree Award and the best academic record of her class in the Faculty of Geography and History, and later obtained a doctorate in Musicology, receiving the Extraordinary Doctorate Award for her thesis “The aesthetic concept of Modern Classicism in Spanish music (1915-1936)”.
She was an associate professor in the Department of Musicology at the Complutense University between 2011 and 2014 and a postdoctoral researcher at the Faculty of Music of the University of Cambridge (2010-2011), where she carried out the project “Analogies between music and painting (1918-1939)”, directed by Nicholas Cook. In addition, she has taught Music History at the San Pablo CEU University and has been invited as a speaker by the universities of Cambridge, La Rioja, Salamanca, Nova University of Lisbon, Université Paris Sorbonne IV and University of Melbourne.
Her lines of research focus on musical aesthetics, musical criticism, historiography and musical iconography. She has carried out research stays at the Humboldt Universität Berlin (with the project “The image of Wagner at the end of the century”, supervised by Hermann Danuser), Université Paris Sorbonne IV (under the supervision of Louis Jambou), University of Melbourne (with Michael Christoforidis) and the Institute for Musical Research in London (with Katharine Ellis).
She currently teaches courses in Music History and Musical Iconography in professional music academies and at the Senior University of the Complutense. At the same time, she is an Assistant Professor at the aforementioned University and is a professor of Musical Research Methodology for the Master’s Degree in Musical Interpretation at the Reina Sofía School of Music.