{"id":48411,"date":"2025-10-17T14:30:48","date_gmt":"2025-10-17T12:30:48","guid":{"rendered":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/canal-escuela\/miriam-fried-prokofiev-5-melodies-op-35bis-2-lento-ma-non-troppo\/"},"modified":"2025-10-17T14:30:48","modified_gmt":"2025-10-17T12:30:48","slug":"miriam-fried-prokofiev-5-melodies-op-35bis-2-lento-ma-non-troppo","status":"publish","type":"video","link":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/miriam-fried-prokofiev-5-melodies-op-35bis-2-lento-ma-non-troppo\/","title":{"rendered":"Miriam Fried: Prokofiev &#8211; 5 Melodies op 35bis &#8211; 2. Lento, ma non troppo"},"content":{"rendered":"<p><strong>PROKOFIEV, Sergey<\/strong><\/p>\n<p>5 Melodies for Violin and Piano, Op. 35bis <\/p>\n<p>2. Lento, ma non troppo<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Miriam Fried,<\/strong> guest professor<\/p>\n<p><strong>Joaqu\u00edn Arias Fern\u00e1ndez, <\/strong>student<\/p>\n<p><strong>Vadim Gladkov, <\/strong>accompanying pianist<\/p>\n<p>&nbsp;<\/p>\n<p>After some general comments on expressiveness, Miriam Fried raises a question about the character of this second piece and comments on the importance of the piano accompaniment in its definition. In general, there should be one sound for the accompaniment and another for a main idea with different characters. Afterwards, they discuss arm movement to play the <em>pizzicato<\/em> correctly.  <\/p>\n<p>Fried also suggests playing with more colors. This is achieved with five factors related to the bow: speed, weight, contact point, amount of air, and vibrato. <\/p>\n<p>Finally, the professor addresses some phrasing issues and generally suggests that the student play by changing the speed of the bow more to generate more contrast and expressiveness.<\/p>\n<p><em>Language: English<\/em><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ciclo":[160],"curso":[150],"instrumento":[175],"obra":[229],"profesor":[],"class_list":["post-48411","video","type-video","status-publish","hentry","ciclo-lecciones-magistrales","curso-2018-19","instrumento-violin","obra-5-melodias-para-violin-y-piano-op-35bis"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Miriam Fried: Prokofiev - 5 Melodies op 35bis - 2. 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Lento, ma non troppo &nbsp; Miriam Fried, guest professor Joaqu\u00edn Arias Fern\u00e1ndez, student Vadim Gladkov, accompanying pianist &nbsp; After some general comments on expressiveness, Miriam Fried raises a question about the character of this second piece and comments on the importance of the piano [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/miriam-fried-prokofiev-5-melodies-op-35bis-2-lento-ma-non-troppo\/\" \/>\n<meta property=\"og:site_name\" content=\"Escuela Superior de M\u00fasica Reina Sof\u00eda\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.escuelasuperiordemusicareinasofia.es\\\/en\\\/canal-escuela\\\/miriam-fried-prokofiev-5-melodies-op-35bis-2-lento-ma-non-troppo\\\/\",\"url\":\"https:\\\/\\\/www.escuelasuperiordemusicareinasofia.es\\\/en\\\/canal-escuela\\\/miriam-fried-prokofiev-5-melodies-op-35bis-2-lento-ma-non-troppo\\\/\",\"name\":\"Miriam Fried: Prokofiev - 5 Melodies op 35bis - 2. 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