{"id":48503,"date":"2025-10-17T14:30:15","date_gmt":"2025-10-17T12:30:15","guid":{"rendered":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/canal-escuela\/hansjorg-schellenberger-vivaldi-oboe-sonata-rv-53-i-adagio\/"},"modified":"2025-10-17T14:30:15","modified_gmt":"2025-10-17T12:30:15","slug":"hansjorg-schellenberger-vivaldi-oboe-sonata-rv-53-i-adagio","status":"publish","type":"video","link":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/hansjorg-schellenberger-vivaldi-oboe-sonata-rv-53-i-adagio\/","title":{"rendered":"Hansj\u00f6rg Schellenberger: Vivaldi &#8211; Oboe sonata RV 53 &#8211; I. Adagio"},"content":{"rendered":"<p><strong>VIVALDI, Antonio<\/strong><\/p>\n<p>Sonata for Oboe and Keyboard in C minor RV 53 F XV,2<\/p>\n<p>I. Adagio<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hansj\u00f6rg Schellenberger, <\/strong>professor<\/p>\n<p><strong>Andr\u00e9 Evert Van Daalen,<\/strong> student<\/p>\n<p><strong>Vadim Gladkov, <\/strong>accompanying pianist<\/p>\n<p>&nbsp;<\/p>\n<p>Professor Schellenberger explains at the beginning the meaning of <em>Adagio<\/em> in the Baroque period, and also talks about Bach&#8217;s ornamentation. Occasionally, the ornamentation refers to the bass line and is the most &#8220;espressivo&#8221; way of playing. <br \/>Schellenberger insists on the expression of each ornament and how they are written in the score, which determines how to play them. Rhythm is also important to give the correct character to the designs with improvisations. The ornaments before the <g id=\"gid_0\">cadenza<\/g> should be lighter to give more importance to the cadence itself. It is also necessary to feel the vibration more than the note.<br \/>As a final recommendation, Schellenberger advises the student to play without pressure, in a more relaxed way as in the Baroque period.   <\/p>\n<p><em>Language: English<\/em><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ciclo":[160],"curso":[880],"instrumento":[188],"obra":[992],"profesor":[],"class_list":["post-48503","video","type-video","status-publish","hentry","ciclo-lecciones-magistrales","curso-2005-06","instrumento-oboe","obra-sonata-para-oboe-y-teclado-en-do-menor-rv-53-f-xv2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hansj\u00f6rg Schellenberger: Vivaldi - Oboe sonata RV 53 - I. Adagio - Escuela Superior de M\u00fasica Reina Sof\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/hansjorg-schellenberger-vivaldi-oboe-sonata-rv-53-i-adagio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hansj\u00f6rg Schellenberger: Vivaldi - Oboe sonata RV 53 - I. Adagio - Escuela Superior de M\u00fasica Reina Sof\u00eda\" \/>\n<meta property=\"og:description\" content=\"VIVALDI, Antonio Sonata for Oboe and Keyboard in C minor RV 53 F XV,2 I. Adagio &nbsp; Hansj\u00f6rg Schellenberger, professor Andr\u00e9 Evert Van Daalen, student Vadim Gladkov, accompanying pianist &nbsp; Professor Schellenberger explains at the beginning the meaning of Adagio in the Baroque period, and also talks about Bach&#8217;s ornamentation. 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