{"id":48505,"date":"2025-10-17T14:30:15","date_gmt":"2025-10-17T12:30:15","guid":{"rendered":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/canal-escuela\/hansjorg-schellenberger-c-schumann-three-romances-op-22-oboe-and-piano-version-1-andante-molto\/"},"modified":"2025-10-17T14:30:15","modified_gmt":"2025-10-17T12:30:15","slug":"hansjorg-schellenberger-c-schumann-three-romances-op-22-oboe-and-piano-version-1-andante-molto","status":"publish","type":"video","link":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/hansjorg-schellenberger-c-schumann-three-romances-op-22-oboe-and-piano-version-1-andante-molto\/","title":{"rendered":"Hansj\u00f6rg Schellenberger: C. Schumann &#8211; Three Romances op 22 (oboe and piano version) &#8211; 1. Andante molto"},"content":{"rendered":"<p><strong>SCHUMANN, Clara<\/strong><\/p>\n<p>3 Romances for violin and piano op 22 (version for oboe and piano)<\/p>\n<p>1. Andante molto<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hansj\u00f6rg Schellenberger, <\/strong>professor<\/p>\n<p><strong>Juan Manuel Garc\u00eda-Cano, <\/strong>student<\/p>\n<p><strong>Alina Artemyeva, <\/strong>accompanying pianist<\/p>\n<p>&nbsp;<\/p>\n<p>As it is a composition for violin, Professor Schellenberger requests that some modification be made to the last notes to better adapt it. Afterwards, they discuss musical questions relating to the interpenetration between both instruments in the dynamics, phrasing, tempo indications, places to breathe, or tempo in ornaments. In this type of music, there must be a constant dialogue. After some indication on tuning, the professor gives the student some recommendations on how the behavior on stage and the indications or gestures towards the pianist should be. In conclusion, keep in mind that this first romance is the most \u201csensitive.\u201d    <\/p>\n<p><em>Language: English<\/em><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ciclo":[160],"curso":[897],"instrumento":[188],"obra":[231],"profesor":[],"class_list":["post-48505","video","type-video","status-publish","hentry","ciclo-lecciones-magistrales","curso-2010-11","instrumento-oboe","obra-3-romanzas-para-violin-y-piano-op-22-version-para-oboe-y-piano"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hansj\u00f6rg Schellenberger: C. Schumann - Three Romances op 22 (oboe and piano version) - 1. Andante molto - Escuela Superior de M\u00fasica Reina Sof\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/hansjorg-schellenberger-c-schumann-three-romances-op-22-oboe-and-piano-version-1-andante-molto\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hansj\u00f6rg Schellenberger: C. Schumann - Three Romances op 22 (oboe and piano version) - 1. Andante molto - Escuela Superior de M\u00fasica Reina Sof\u00eda\" \/>\n<meta property=\"og:description\" content=\"SCHUMANN, Clara 3 Romances for violin and piano op 22 (version for oboe and piano) 1. Andante molto &nbsp; Hansj\u00f6rg Schellenberger, professor Juan Manuel Garc\u00eda-Cano, student Alina Artemyeva, accompanying pianist &nbsp; As it is a composition for violin, Professor Schellenberger requests that some modification be made to the last notes to better adapt it. 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