{"id":48607,"date":"2025-10-17T14:29:01","date_gmt":"2025-10-17T12:29:01","guid":{"rendered":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/canal-escuela\/ferenc-rados-beethoven-triple-concerto-op-56-soloists-part-i-allegro-part-2\/"},"modified":"2025-10-17T14:29:01","modified_gmt":"2025-10-17T12:29:01","slug":"ferenc-rados-beethoven-triple-concerto-op-56-soloists-part-i-allegro-part-2","status":"publish","type":"video","link":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/ferenc-rados-beethoven-triple-concerto-op-56-soloists-part-i-allegro-part-2\/","title":{"rendered":"Ferenc Rados: Beethoven &#8211; Triple Concerto op 56 (soloists part) &#8211; I. Allegro (Part 2)"},"content":{"rendered":"<p><strong>BEETHOVEN, Ludwig van<\/strong><\/p>\n<p>Concerto for Piano, Violin, Cello and Orchestra in C major, Op. 56 &#8220;Triple Concerto&#8221; (soloist part) <\/p>\n<p>I. Allegro<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ferenc Rados<\/strong>, guest professor<\/p>\n<p><strong>Tr\u00edo Flamel<\/strong><br \/>Carole Petitdemange, violin<br \/>Pablo Ferr\u00e1ndez Castro, cello<br \/>David Kadouch, piano<\/p>\n<p>&nbsp;<\/p>\n<p>In this 2nd part of the masterclass on the first movement of Beethoven&#8217;s <em>Triple Concerto<\/em>, Feren Rados continues at the piano, making suggestions on phrasing, articulation, rhythm, and anticipation before the entries, primarily on the violin and cello. Following a question from the violinist about a certain passage, the professor gives her indications on the corresponding accents and anacruses. Afterward, the students resume the performance of the movement. The professor gives them indications (singing it or playing it on the piano) to improve phrasing, articulation, attacks with the bow, or execution of the <g id=\"gid_1\">sforzati<\/g>, and compares it to Schubert&#8217;s <g id=\"gid_2\">Military March<\/g>, and also mentions Brahms and Mahler.<br \/>To improve the rhythm of triplets in <g id=\"gid_3\">ritardando<\/g> on the violin, the professor proposes that the student play them while he marks the tempo by taking steps. He then works with the cello, pausing to improve its melody, and also makes a digression with the violinist to reflect on musicality (maintained<x id=\"gid_4\"><\/x>within a framework). Later, the professor makes other comments regarding the articulation and phrasing of a certain part of the violin, and concludes with some suggestions regarding the modulating sections and parts where harmonic changes occur, making a brief analysis of the main moments.     <\/p>\n<p><em>Language: English<\/em><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ciclo":[160],"curso":[836],"instrumento":[152],"obra":[953],"profesor":[],"class_list":["post-48607","video","type-video","status-publish","hentry","ciclo-lecciones-magistrales","curso-2011-12","instrumento-musica-de-camara","obra-concierto-para-piano-violin-violonchelo-y-orquesta-en-do-mayor-op-56-triple-concierto-parte-de-solistas"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ferenc Rados: Beethoven - Triple Concerto op 56 (soloists part) - I. Allegro (Part 2) - Escuela Superior de M\u00fasica Reina Sof\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/ferenc-rados-beethoven-triple-concerto-op-56-soloists-part-i-allegro-part-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ferenc Rados: Beethoven - Triple Concerto op 56 (soloists part) - I. Allegro (Part 2) - Escuela Superior de M\u00fasica Reina Sof\u00eda\" \/>\n<meta property=\"og:description\" content=\"BEETHOVEN, Ludwig van Concerto for Piano, Violin, Cello and Orchestra in C major, Op. 56 &#8220;Triple Concerto&#8221; (soloist part) I. Allegro &nbsp; Ferenc Rados, guest professor Tr\u00edo FlamelCarole Petitdemange, violinPablo Ferr\u00e1ndez Castro, celloDavid Kadouch, piano &nbsp; In this 2nd part of the masterclass on the first movement of Beethoven&#8217;s Triple Concerto, Feren Rados continues at [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/ferenc-rados-beethoven-triple-concerto-op-56-soloists-part-i-allegro-part-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Escuela Superior de M\u00fasica Reina Sof\u00eda\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.escuelasuperiordemusicareinasofia.es\\\/en\\\/canal-escuela\\\/ferenc-rados-beethoven-triple-concerto-op-56-soloists-part-i-allegro-part-2\\\/\",\"url\":\"https:\\\/\\\/www.escuelasuperiordemusicareinasofia.es\\\/en\\\/canal-escuela\\\/ferenc-rados-beethoven-triple-concerto-op-56-soloists-part-i-allegro-part-2\\\/\",\"name\":\"Ferenc Rados: Beethoven - Triple Concerto op 56 (soloists part) - I. 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