{"id":48939,"date":"2025-10-17T14:33:10","date_gmt":"2025-10-17T12:33:10","guid":{"rendered":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/canal-escuela\/joaquin-soriano-beethoven-piano-sonata-no-31-op-110-iii-adagio-ma-non-troppo\/"},"modified":"2026-01-27T09:37:06","modified_gmt":"2026-01-27T08:37:06","slug":"joaquin-soriano-beethoven-piano-sonata-no-31-op-110-iii-adagio-ma-non-troppo","status":"publish","type":"video","link":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/joaquin-soriano-beethoven-piano-sonata-no-31-op-110-iii-adagio-ma-non-troppo\/","title":{"rendered":"Joaqu\u00edn Soriano: Beethoven &#8211; Piano sonata no. 31 op 110 &#8211; III. Adagio, ma non troppo"},"content":{"rendered":"<p><strong>BEETHOVEN, Ludwig van<\/strong><\/p>\n<p>Piano Sonata No. 31 in A-flat major, Op. 110<\/p>\n<p>III. Adagio, ma non troppo (Arioso dolente)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Joaqu\u00edn Soriano<\/strong>, guest professor<\/p>\n<p><strong>Cathal Breslin<\/strong>, student<\/p>\n<p>&nbsp;<\/p>\n<p>At the beginning of the movement, the large leap from one note to the next should be made as <em>legato<\/em> as possible, attacking the second note less. They work on it so that the student can hear very well how to do it. Professor Soriano then makes some recommendations on fingering: use the 5th finger, because it is the stable part of the hand when you have a chord, then go up with the 4th. Next, Soriano points out not to play <em>troppo appasionato<\/em>: with passion but not excessively. Later, the student should avoid holding a certain note; they should lift the finger because otherwise it sounds dirty, and mixing harmonies is terrible.<br \/>\nTo conclude, the professor instructs the student to pay more attention to the fact that this Adagio is &#8220;ma non troppo&#8221;, so that it is not too slow and superficial. It is not a sonata that the student has been preparing for a long time, and that time is necessary to integrate it and find a deep and less timid sound. All the indications written by Beethoven in this movement lead to playing with a specific emotion, and that is what the student should seek, avoiding it sounding boring.      <\/p>\n<p><em>Language: English<\/em><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ciclo":[160,1737],"curso":[1213],"instrumento":[172],"obra":[1215],"profesor":[],"class_list":["post-48939","video","type-video","status-publish","hentry","ciclo-lecciones-magistrales","ciclo-maestros-inolvidables","curso-2002-03","instrumento-piano","obra-sonata-para-piano-num-31-en-la-bemol-mayor-op-110"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Joaqu\u00edn Soriano: Beethoven - Piano sonata no. 31 op 110 - III. Adagio, ma non troppo - Escuela Superior de M\u00fasica Reina Sof\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/joaquin-soriano-beethoven-piano-sonata-no-31-op-110-iii-adagio-ma-non-troppo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joaqu\u00edn Soriano: Beethoven - Piano sonata no. 31 op 110 - III. Adagio, ma non troppo - Escuela Superior de M\u00fasica Reina Sof\u00eda\" \/>\n<meta property=\"og:description\" content=\"BEETHOVEN, Ludwig van Piano Sonata No. 31 in A-flat major, Op. 110 III. Adagio, ma non troppo (Arioso dolente) &nbsp; Joaqu\u00edn Soriano, guest professor Cathal Breslin, student &nbsp; At the beginning of the movement, the large leap from one note to the next should be made as legato as possible, attacking the second note less. 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