{"id":49063,"date":"2025-10-17T14:37:50","date_gmt":"2025-10-17T12:37:50","guid":{"rendered":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/canal-escuela\/baroque-ensembles-of-the-reina-sofia-school-of-music-de-lalande-telemann-and-muffat\/"},"modified":"2026-03-19T15:47:03","modified_gmt":"2026-03-19T14:47:03","slug":"baroque-ensembles-of-the-reina-sofia-school-of-music-de-lalande-telemann-and-muffat","status":"publish","type":"video","link":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/baroque-ensembles-of-the-reina-sofia-school-of-music-de-lalande-telemann-and-muffat\/","title":{"rendered":"Baroque Ensembles of the Reina Sof\u00eda School of Music: De Lalande, Telemann and Muffat"},"content":{"rendered":"

The <\/span>School’s Baroque Ensembles <\/strong>are part of the <\/span>Soci\u00e9t\u00e9 G\u00e9n\u00e9rale Historical Performance Program<\/strong>, which seeks to expose students to the various performance traditions existing from the Renaissance (through the Baroque) and reaching up to musical Classicism, through the study of their stylistic characteristics, repertoire, the history and evolution of instruments, etc. These aspects help students integrate into their practice knowledge and techniques that until recently were exclusive to specialists, and which are increasingly necessary in today’s musical profession. <\/span> <\/p>\n<\/p>\n

Baroque Ensemble<\/strong> <\/span>of the Soci\u00e9t\u00e9 G\u00e9n\u00e9rale Historical Performance Program, Professor Paul Goodwin <\/strong>(Part 2)<\/em>. <\/strong>Sony Auditorium (Madrid) 02\/07\/2025<\/span><\/p>\n<\/p>\n

DE LALANDE, Michel-Richard<\/strong><\/p>\n

Grande pi\u00e8ce royale (Great Royal Piece), instrumental suite S 161 “Deuxi\u00e8me Fantaisie ou Caprice que le Roi demandait souvent”<\/span><\/p>\n<\/p>\n

Ana Molina Touza<\/strong>, violin I<\/p>\n

Irene Herrero Mart\u00ednez<\/strong>, violin II<\/p>\n

Guilherme Tom\u00e1s<\/strong>, viola<\/p>\n

Jo\u00e3o Victor Fransozo<\/strong>, viola<\/p>\n

Leonardo Chiodo<\/strong>, cello<\/p>\n

Eduardo Alc\u00e2ntara dos Santos<\/strong>, double bass<\/p>\n

Marta Chelet Coll<\/strong>, flute<\/p>\n

Miguel Flores Hern\u00e1ndez<\/strong>, flute<\/p>\n

Manuela Candela Mu\u00f1oz<\/strong>, oboe<\/p>\n

Kaleb Bou Roig<\/strong>, bassoon<\/p>\n

Nicol\u00e1s Margarit<\/strong>, harpsichord<\/p>\n

\n

TELEMANN, Georg Philipp<\/strong><\/p>\n

Concerto for 3 oboes, 3 violins and basso continuo in B-flat major TWV 44: 43 (version for 3 flutes, 3 violins and basso continuo)<\/span><\/p>\n

I. Allegro<\/span><\/p>\n

II. Largo<\/span><\/p>\n

III. Allegro<\/span><\/p>\n

\n

Ana Molina Touza<\/strong>, violin<\/p>\n

Jimena Rojas Redondo<\/strong>, violin<\/p>\n

Jun Yong Liu<\/strong>, violin<\/p>\n

Marta Chelet Coll<\/strong>, flute<\/p>\n

Miguel Flores Hern\u00e1ndez<\/strong>, flute<\/p>\n

Margherita Brodski<\/strong>, flute<\/p>\n

Yiqi Chen<\/strong>, cello<\/p>\n

Eduardo Alc\u00e2ntara dos Santos<\/strong>, double bass<\/p>\n

Jorge L\u00f3pez Cogollos<\/strong>, bassoon<\/p>\n

David Khrikuli<\/strong>, harpsichord<\/p>\n<\/p>\n

MUFFAT, Georg<\/strong><\/p>\n

Constantia (Constancy), orchestral suite No. 7 in G major from “Suavioris harmoniae instrumentalis hyporchematicae florilegium primum”<\/p>\n

I. Air<\/p>\n

II. Entr\u00e9e des Fraudes<\/p>\n

III. Entr\u00e9e des Insultes<\/p>\n

IV. Gavotte<\/p>\n

V. Bourr\u00e9e<\/p>\n

VI. Menuet I <\/p>\n

VII. Menuet II<\/p>\n

VIII. Gigue<\/p>\n

\n

Moira Petra Cauzzo<\/strong>, violin I<\/p>\n

Valent\u00edn Chong<\/strong>, violin II<\/p>\n

H\u00e9ctor Mira Ferriz<\/strong>, viola<\/p>\n

Martina Bonaldo<\/strong>, viola<\/p>\n

Guillem Gr\u00e0cia Soler<\/strong>, cello<\/p>\n

Eduardo Alc\u00e2ntara dos Santos<\/strong>, double bass<\/p>\n

Margherita Brodski<\/strong>, flute<\/p>\n

Manuela Candela Mu\u00f1oz<\/strong>, oboe<\/p>\n

David Khrikuli<\/strong>, harpsichord<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ciclo":[158],"curso":[1543],"instrumento":[152],"obra":[1582,1583,1581],"profesor":[],"class_list":["post-49063","video","type-video","status-publish","hentry","ciclo-da-camera","curso-2024-25","instrumento-musica-de-camara","obra-concierto-para-3-oboes-3-violines-y-bajo-continuo-en-si-bemol-mayor-twv-44-43-version-para-3-flautas-3-violines-y-bajo-continuo","obra-constantia-constancia-suite-orquestal-num-7-en-sol-mayor-de-suavioris-harmoniae-instrumentalis-hyporchematicae-florilegium-primum","obra-grande-piece-royale-gran-pieza-real-suite-instrumental-s-161-deuxieme-fantaisie-ou-caprice-que-le-roi-demandait-souvent"],"acf":[],"yoast_head":"\nBaroque Ensembles of the Reina Sof\u00eda School of Music: De Lalande, Telemann and Muffat - Escuela Superior de M\u00fasica Reina Sof\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/baroque-ensembles-of-the-reina-sofia-school-of-music-de-lalande-telemann-and-muffat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baroque Ensembles of the Reina Sof\u00eda School of Music: De Lalande, Telemann and Muffat - 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