{"id":84469,"date":"2026-09-18T10:21:50","date_gmt":"2026-09-18T08:21:50","guid":{"rendered":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/canal-escuela\/christoph-pregardien-debussy-ariettes-paysages-belges-et-aquarelles-1-cest-lextase\/"},"modified":"2026-09-18T10:21:50","modified_gmt":"2026-09-18T08:21:50","slug":"christoph-pregardien-debussy-ariettes-paysages-belges-et-aquarelles-1-cest-lextase","status":"publish","type":"video","link":"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/christoph-pregardien-debussy-ariettes-paysages-belges-et-aquarelles-1-cest-lextase\/","title":{"rendered":"Christoph Pr\u00e9gardien: Debussy &#8211; Ariettes, paysages belges et aquarelles &#8211; 1. C&#8217;est l&#8217;extase"},"content":{"rendered":"<p><strong>DEBUSSY, Claude<\/strong><\/p>\n<p>Ariettes, paysages belges et aquarelles (Ariettas, Belgian landscapes and watercolors) (P. Verlaine) for voice and piano<\/p>\n<p>1. C&#8217;est l&#8217;extase<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Christoph Pr\u00e9gardien<\/strong>, guest professor<\/p>\n<p><strong>Elsa Rold\u00e1n V\u00e1zquez<\/strong>, student<\/p>\n<p><strong>Alex Arroyo Luis<\/strong>, collaborative pianist<\/p>\n<p>&nbsp;<\/p>\n<p>After the student&#8217;s performance, Pr\u00e9gardien asks about the song&#8217;s context. It is a typical French <em>chanson<\/em> with a very beautiful and intimate text, and this atmosphere must be considered in both the piano and the voice. Phrasing in Debussy is crucial.<br \/>\nThey resume from the beginning, and the professor provides guidance to improve expressiveness in the first phrase. The sound in this song does not need to be so perfect and precise; it is better to sing with a bit more air. He continues with indications on phrasing and articulation so that the piano and voice are more closely integrated. In French, articulation requires more clarity.<br \/>\nPr\u00e9gardien suggests repeating the song to properly appreciate the colors; with her soprano register, there is no danger of the piano covering her, so it is not necessary for the pianist to play softer despite the lid being fully open. In this song, and in Debussy in general, it is not necessary to achieve perfect voice placement, and the student has now managed to give it that space which suits it so well.      <\/p>\n<p><em>Language: English<\/em><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ciclo":[160],"curso":[1704],"instrumento":[163],"obra":[1847,1848,1849],"profesor":[1845],"class_list":["post-84469","video","type-video","status-publish","hentry","ciclo-lecciones-magistrales","curso-2025-26","instrumento-canto","obra-ariettes","obra-paysages-belges-et-aquarelles-arietas","obra-paisajes-belgas-y-acuarelas-p-verlaine-para-voz-y-piano","profesor-christoph-pregardien"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Christoph Pr\u00e9gardien: Debussy - Ariettes, paysages belges et aquarelles - 1. C&#039;est l&#039;extase - Escuela Superior de M\u00fasica Reina Sof\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.escuelasuperiordemusicareinasofia.es\/en\/canal-escuela\/christoph-pregardien-debussy-ariettes-paysages-belges-et-aquarelles-1-cest-lextase\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christoph Pr\u00e9gardien: Debussy - Ariettes, paysages belges et aquarelles - 1. C&#039;est l&#039;extase - Escuela Superior de M\u00fasica Reina Sof\u00eda\" \/>\n<meta property=\"og:description\" content=\"DEBUSSY, Claude Ariettes, paysages belges et aquarelles (Ariettas, Belgian landscapes and watercolors) (P. Verlaine) for voice and piano 1. 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