Celia Bueno Puente

She trained at the Jesús de Monasterio Professional Conservatory of Santander with Paula Bolado, at the Higher School of Music of Aragon with Pablo Suárez, at the Conservatorio della Svizzera italiana (Switzerland) with Massimo Quarta, and at the Reina Sofía School of Music with Marco Rizzi and Sergey Teslya. The Quiroga Quartet, Heime Müller, Márta Gulyás, and Saiko Sasaki in the specialty of chamber music, as well as Nacho de Paz, Arturo Tamayo, and Giovanni Verrando in the field of contemporary music, have also had a great influence on her training.
Extraordinary End of Career Award, she has been awarded in national and international competitions. She has recorded for RNE and has been invited to participate in festivals such as Ticino Musica or the Encounter of Music and Academy of Santander. As a soloist, she has debuted at the Sony Auditorium with the Camerata Viesgo, in the Sala Gayarre of the Teatro Real with the Concertante group of the Reina Sofía School, in the Chamber Hall of the National Auditorium with the Madrid Chamber Orchestra, in the Teatro Principal of Burgos with the JOSBU, and in the Palacio de Festivales of Cantabria with the Classical Symphony Orchestra of the AFC, among others.
She has been a member of the National Youth Orchestra of Spain and the Gustav Mahler Jugendorchester and is a regular collaborator of the National Orchestra of Spain and the Bilbao Symphony Orchestra. She also participates in groups such as Ensemble Praeteritum, Bilbao Sinfonietta, Vigo430, Musethica, and Ensemble 900. Since 2022, she has formed Viceversa duo with pianist Elena Frutos.
After completing the Master’s Degree in Research in Spanish and Latin American Music (UCM), she focuses part of her activity on research projects for the recovery of Spanish repertoire. She is currently a violin professor at the Forum Musikae Higher School of Music in Degree and Master’s Degree in Interpretation and Musical Research.