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Encounter of Santander
Wozzeck op 7 (double bass part)
Janne Saksala, guest professor
David Tinoco Cacho, student
Professor Saksala explains some bowings and fingerings for this orchestral passage. He also makes some comments about bow distribution and bow direction. In certain passages, the articulation is legato.
The fragment is like a canon: it starts with the viola and the violin and goes on with the double bass.